The speaker, unconquered by the noise, opened her door for “him”. In the first stanza of ‘The Wind-tapped like a tired Man’ the speaker begins by noting that the “Wind” was outside her door “tapp” as a “tired Man” would at the door. It reads: “Let go a music - as of tunes”. For instance, line three of the fourth stanza. Due to Dickinson’s very liberal use of dashes, there are numerous examples in the text. They appear when the poet inserts punctuation in the middle, beginning, or towards the end of lines. For example, the transition between lines three and four of the first stanza and lines two and three of stanza three.Ĭaesurae are also found in this particular poem, and the majority of Dickinson’s work. In this case, Dickinson, or at least her speaker, is personifying “Wind”.Įnjambment is a formal device that is concerned with the placement of line breaks and end-punctuation. It is tied into another important literary device, personification. Dickinson writes that the “Wind…tapped like a tired Man”. The latter can be found in the first line of the poem. These include but are not limited to examples of enjambment, caesurae, and similes. Each line contains three sets of two beats, following the same pattern of stresses.ĭickinson makes use of several literary devices in ‘‘The Wind-tapped like a tired Man’. This means that the odd-numbered lines are made up of four sets of two syllables, the first of which is unstressed and the second stressed. Additionally, every other line is written in either iambic tetrameter and iambic trimeter. The stanzas follow a rhyme scheme of ABCB, changing end sounds from stanza to stanza. The poem follows patterns that Dickinson is quite well-known for. ‘The Wind-tapped like a tired Man’ by Emily Dickinson is a five stanza poem that is separated into sets of four lines, known as quatrains. This relates to the poet’s interest in the fleeting nature of powerful, and beautiful, experiences. The wind disappears as quickly as it came at the end of the poem. For example, the feeling of “numerous Humming Birds at once / From a superior Bush”. While there, it brings various, related images into her mind of other natural scenes and experiences. The speaker invites the element in her home to swirl around her possessions. She focuses in specifically on the fleeting, ephemeral nature of the elements, in this case, wind. ![]() ![]() From the first line, it’s clear that this is what’s on her speaker’s mind. She uses several similes to describe the wind’s presence, the sounds it makes, and the way it makes her feel.īy far the most important theme that Dickinson explores in ‘The Wind-tapped like a tired Man,’ is nature. He can’t sit, stay still, or do any of the things a normal guest can. The wind, which she describes as a “tired Man,” comes into her home. Throughout the five stanzas of this piece, Dickinson’s speaker describes a special visitor who came knocking at her door. Read a short article on what makes Dickinson's work special and important, and on how she stood out from the literary world around her.‘The Wind-tapped like a tired Man’ by Emily Dickinson is a beautifully simple poem in which the poet personifies the wind. Visit the website of the Emily Dickinson museum to find a wealth of resources on Dickinson's life and work. Listen to the poem set to (appropriately odd and unpredictable) music. See an image of a manuscript of the poem. More “The Wind – tapped like a tired Man –” Resources.
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